2008's Most Favouritest Albums

My turn! These are firmly favourites, as opposed to "the best", and I'm sure there's a fair few that might make you, dear reader, think "huh?!", but whateverrrrr.

Just missed out:
Beck - Modern Guilt
She & Him - Volume One
Late of the Pier - Fantasy Black Channel
Fucked Up - The Chemistry of Common Life
Sigur Ros - Með suð í eyrum við spilum endalaust

Here's my top 10. Many, most, have been written about at length before, some on these very pages this very day by Joe. So I'm not gonna talk about all of them. Just some of them.

10. Bon Iver - For Emma, Forever Ago

9. Vampire Weekend - Vampire Weekend - fun fun fun bouncy fun

8. Ryan Adams and the Cardinals - Cardinology - yeah, so you probably didn't expect this, you probably don't think it's that good, maybe it's not the bestest album ever, i mean it's probably one of his weaker albums to be fair. but i like it. a lot. and i've listened to it a lot. both of which are things which feed into each other and make me listen to/like it more. especially lyrically - especially "cobwebs" and "stop" and "crossed out name". and there's "magick", and two-and-a-half minute radio pop-rock thing which is pleasing. and i saw them live, which obviously helps. so yeah. i like it. a lot.

7. Kanye West - 808's & Heartbreak - well obviously this is kinda divisive, but i figured that 'divisive' would mean that some people would love it, and it would get on a fair few year-end lists. but it doesn't seem to have done. UNTIL NOWWW!!! umm, yeah - well i just admire anyone who can completely and utterly change their sound, even/especially if that new sound is one that they actually CAN'T DO. coz kanye totally can't sing. but that doesn't mean that the album doesn't work. it has really good songs. "sung" more than adequately. period. a'rite?

6. Elbow - The Seldom Seen Kid

5. Lil Wayne - Tha Carter III









4. Mystery Jets - Twenty One - it's happy and real and unpretentious and young and unashamed and exuberant and eighties and pop and sad and beautiful and summery and happy. they were a highlight of glastonbury, above all because they looked like they were having a brilliant time on stage. enthusiasm is infectious. the entire crowd seemed to know all the songs. unsung heroes. or sung quite a lot in my room. in bad falsetto on "flakes" and "behind the bunhouse", the latter a song so embedded in my head that i always end up calling nearby favourite pub the bun shop 'the bunhouse'. ah well.


3. Lightspeed Champion - Falling Under The Lavender Bridge - again with the kanye praise - this couldn't be more different to test icicles. and dev has left behind his old proto-nu-rave identity much more successfully than kanye did his former graduating rapper. not that test-icicles sold a million copies of their album in the first week. imagine if they did... aaaanyway, back to reality - another album that feels to me unashamedly young, another band that i've been really happy when watching live. a soundtrack to my life, complete with lyrics that i may have on occasion taken as my own and projected my own life on to. also, he has a really really good blog.

2. TV on the Radio - Dear Science










1. The Hold Steady - Stay Positive - Like the other albums except better. Strong melodies, varied instrumentation, think-making lyrics. and an ecstatic live show back in july. this was my summer album, my summer-in-America album, my constructive summer album. A moment: on the train from LA to San Jose, after four weeks travelling alone, from Montreal in the North to Monterrey in the South, via New York, Nashville, Austin and others - I put on Stay Positive: "We're gonna build something this summer". I totally did. Y'know, in a metaphorical sense. Unashamed surrender to self-satisfied clichedom. Whatever. Stay positive.


And here's a load of other albums I liked, in lower case coz i was feeling lazy:

nick cave - dig!!! lazarus, dig!!!
lykke li - youth novels
coldplay - viva la vida...
scarlett johansson - anywhere i lay my head - am i supposed to like this or not? oh, the dilemma. whatever. i like it.
fleet foxes - fleet foxes
laura marling - alas, i cannot swim
kings of leon - only by the night ok, sliiiiightly disappointing due to unrealistic expectations, but still. song for song, it surpasses most of the albums here. apart from the high school musical 3 soundtrack.
weezer - weezer (the red album) whatever, i liked it. it was fun.
girl talk - feed the animals
high school musical 3 OST don't you dare dispute this. seriously. me and my army of twelve-year-old girls will TAKE YOU DOWN. don't you dare ask why i have an army of twelve-year-old girls either.
ben folds - way to normal just, like, my opinion, man, but i kinda preferred the fake leak. does that make me a pretentious and bad person?
bloc party - intimacy
flight of the conchords - flight of the conchords
conor oberst - conor oberst
dr horrible's sing-along blog OST (joss whedon et al) - this counts, of course it counts, why shouldn't it count?
noah and the whale - peaceful the world lays me down
spiritualized - songs in A&E
raconteurs - consolers of the lonely
mgmt - oracular spectacular
last shadow puppets - the age of the understatement
santogold - santogold
hot chip - made in the dark

yay end of year post yay

Arbitrary end-of-year list. Hooray. It might get us on Hype machine.

This was actually quite hard. The strength of this year's recorded output struggled to match up to that of the two years before it, and although I enjoyed all 10 of these albums quite a lot, most of the music I downloaded this year was older stuff I wanted to get into. Some of the most acclaimed music this year came from fairly obscure sources and I only got them within the last week or so. As such, I should point out that I've enjoyed what I've heard so far of Islands, Frightened Rabbit, The Very Best, Ponytail, Deerhunter, that National EP, Portishead, the Jonny Greenwood soundtrack to There Will Be Blood, Adem, Department of Eagles, and Sigur Ròs but haven't listened to them enough to give a fair account of them. Sadly I've also not even heard the Vessels, Abe Vigoda, No Age or Bug albums yet, so they're still on the to-do list. In any case, these were the albums that I did enjoy:

10: Fuck Buttons - Street Horrrsing

Best instrumental album of the year, boiling music down to comforting noise, warming even as it confuses. 'Bright Tomorrow' may have caught people's interest, but 'Colours Move' was the finest moment here. Respect also for the brilliant cover of 'Mogwai Fear Satan' released on their split EP with Mogwai.

9. Marnie Stern - This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That

Once you can get past the preconceptions of 'my God, she's female', and indeed the technical wizardry of it all, you reach the conclusion that, much like the Ponytail LP mentioned above, this album is full of entertaining, experimental pop music. It's ultimately a hell of a lot of fun. Stern's records are also further proof that Zach Hill's astonishing drum work is most succesful on albums which contain choruses, like They Mean Us, his excellent album with Rob Crow under the name of The Ladies. Highlights: 'Steely', 'Roads?...', 'Prime'.

8. Late of the Pier - Fantasy Black Channel

Inevitably, the sparkle and excitement of these songs has waned a little since their first hearing, hence the album's lower placing in this list. The only other complaints I could have would be the pointless 'Mad Dogs' and the odd decision to re-record some of the original versions (most of which work well, like the added harmonies in 'Random Firl' and guitar solo in 'Bears') but not others. Aside from minor quibbles, this is a fascinating, thrilling ride travelling at around 1 genre per minute. 'The Enemy Are The Future', the oddest thing here, may also be the greatest: from lounge jazz to Justice in 3 minutes. The most exciting new British band since the Futureheads first appeared.

7. The Week That Was - The Week That Was

Pete Brewis will probably never be recognised for his work with Field Music and this album, probably the best thing he has produced. Acclaim for the record was slow to arrive, and although many blogs caught onto the record eventually, The Week That Was has largely been ignored in end-of-year polls. Brewis is an expert at innovating with sounds not normally heard on pop records, but there is a simplicity and coherence to everything on this record. In 'The Good Life' and 'Scratch the Surface', Brewis also managed something that always eluded Field Music: brilliant choruses. An excellent curio that survives multiple listens.

6. Destroyer -Trouble In Dreams

I really don't understand why Dan Bejar still contributes to the New Pornographers. Regardless of whatever happened to Newman's songwriting abilities on the weak Challengers, for the first time Bejar's contribution was the best, particularly 'Myriad Harbour'. Meanwhile, to relatively little fanfare, he produced another brilliantly unique and enjoyable record, if anything a slight improvement on Rubies because of the greater focus of its songs, less rambling than the likes of 'A Dangerous Woman...' and 'Rubies'. 'Cathedral sick of the sky again' also happens to be my favourite lyric of the year. We should treasure him more than we do.

5. Fucked Up - The Chemistry of Common Life

Punk albums have no right to be this challenging, intelligent and reflective. Lyrically, Pink Eyes expresses the same anger with the oppression of everyday life as the majority of his fellow punk singers ('Hands up if you think you're the only one/We've all got our fucking hands up) but is capable of much more, as in the majestic 'Royal Swan', a song any young angry teenager with a guitar should hear. Chemistry is an album aware of Fucked Up's remarkable but terrifying live reputation, and plays with the expectations of anyone new to the band: even experimental hardcore bands like Hüsder Dü never dared to open and close their records with a minute of solo flute. A step forward from the already good Hidden World, but considerably more cohesive than the wandering Year of the Pig, this is a group at the peak of their powers: an astonishing feat, considering the fragility of the group. If they can hang together long enough for a third album, it'll be world-destroying.

4. The Hold Steady - Stay Positive

Even the Hold Steady's weakest release beats most other bands' releases. When you rely on a very repetitive sound (fast rocker, slow bluesy number, repeat), you need to come up with great lyrics and great melodies. The former will never be a problem with Craig Finn around, but the second is a worry: 'Lord, I'm Discouraged' as a carbon copy of 'First Night' being the guiltiest canditate. It's in this spirit that the band include harpsichord on 'Cutters', or leave their sound wide open on 'Both Crosses'. It doesn't always come off, but Finn is on top lyrical form, and his band still come up with five fantastic riffs per album. I fear that they will begin to run out of ideas from now on - no band has ever made 5 brilliant albums in a row - and if that turns out to be the case, 'Slapped Actress' is an incredible swansong.

3. Elbow - The Seldom Seen Kid

Their strongest release since Asleep in the Back, and maybe their best record to date. All the elements of rock ('Grounds for Divorce'), rapturous sweeps and singalongs ('One Day Like This'), and fragile but proud balladry ('Some Riot') have always been present in their music, but this album embodies them at their greatest, not putting a foot wrong. Elbow now rival Radiohead for the title of best British group still recording, and they deserve the accolade.

2. TV on the Radio - Dear Science,

Although it seems hypocritical now, given my hyperbolic praise for the album at the time, Return to Cookie Mountain was actually quite a patchy album. Peppered with wonderful songs, a lot of ideas was crammed into a small place, and often melodies suffered as a result. Dear Science, exposes all those faults by being the exact opposite: concise, accessible and superbly written. Every song is perfectly judged here, for the first time since their Young Liars EP. This is a band flexing its muscles, showing the world how masterful they are at any song they care to write.

1. Bon Iver - For Emma, Forever Ago

I appreciate that this was released last year and that it may seem strange that I include this album and not In Rainbows, but whereas I was listening to Radiohead from October last year, Bon Iver didn't enter my life until 2008. He won't leave any time soon either. The incredible falsetto of Grizzly Bear, the gentle and intelligent innovation reminiscent of Radiohead, the songcraft of Sam Beam: all these factors combined produced an album that was tiny but unbeatable. No song has ever threatened quite as much as 'Skinny Love'. The Blood Bank EP is equally good, and hints at a very bright and significant future.

Honorable mentions:

Cajun Dance Party - The Colourful Life

Cool Kids - The Bake Sale

Girl Talk - Feed The Animals

Dodos - Visiter

Nick Cave - Dig, Lazarus, Dig!!!

Dears - Missiles

REM - Accelerate

Coldplay - Viva La Vida

Bloc Party - Intimacy

both Los Campesinos

Biggest disappointments:

MMJ - Evil Urges

Fleet Foxes

¡Forward, Russia! - Life Processes

Guillemots - Red

Kings of Leon - Only By The Night

Cold War Kids - Loyalty To Loyalty

Best songs:

Pink Sabbath - Dananananaykroyd

Dears - Savior

Fucked Up - Royal Swan

Wrens - Sleep

Friendly Fires - Paris

TVOTR - Lover's Day

Elbow - Some Riot

Biffy Clyro - Mountains

Destroyer - My Favourite Year

Hold Steady - Slapped Actress

That's all. xxx